Need to update your firmware or just download software for your machine? You’ll find it all here. Start by picking your subject below.
You may download and utilize all files on this page for personal use. You may not edit or otherwise modify any material on this page; or redistribute material from this page.
Elektron Transfer is the go to tool for transferring samples, presets, sounds, projects and firmware updates to Analog Rytm MKI/MKII, Analog Four MKI/MKII, Analog Heat MKI/MKII, Analog Keys, Digitakt II, Digitakt, Digitone II, Digitone, Digitone Keys, Model:Samples, Model:Cycles, Syntakt and Analog Heat +FX.
Compatible with:
macOS 10.13 High Sierra and later.
Windows 8 and later.
User manual for Analog Heat +FX in English
User manual for Analog Heat +FX in Japanese
Quick start guide for Analog Heat +FX
If you feel that the input level on the Analog Heat MKI/MKII is lower than expected, there is a technical reason for why it is like this. Then input level on the Analog Heat is set like it is by design.
The Analog Heat attenuates (lowers) the incoming signal to create headroom for the distortion circuits and the filter. If it didn't do that, the levels would be too high and cause internal clipping if you use heavy distortion and turn up the resonance on the filter.
You can always use the LEVEL parameter to gain the level back up if you feel that the volume is to low after passing through the distortion, filter, and EQ.
Read moreThis information applies to Analog Four, Analog Keys, Analog Four MKII, Analog Heat, Analog Heat MKII, Analog Heat +FX, Analog Rytm, Analog Rytm MKII, Digitakt, Digitakt II, Digitone, Digitone Keys, Digitone II, Syntakt, Model:Cycles, and Model:Samples
To perform a Factory Reset, hold down the [FUNCTION] button ([ACTIVE]/[ON] button for Analog Heat) while powering on the device, then press the appropriate button when the startup menu appears. When the reset has been completed, the unit will reboot.
When you perform a factory reset on Analog Keys or Analog Four or Analog Four MKII, the following happens:
The remaining project slots and sound banks will not be overwritten.
If you wish to keep the active project, remember to save it to a project slot higher than 001 before you perform the factory reset. If you have saved your own sounds to soundbanks A or B, you need to move them to a different bank if you want to keep them.
When you perform a factory reset on Analog Heat MKI or MKII, the following happens:
Preset slots 001–016 will be overwritten with the factory presets. The remaining preset slots will be cleared.
When you perform a factory reset on Analog Heat +FX, the following happens:
Preset slots A001–A019 will be overwritten with the factory presets. The remaining preset slots will be cleared.
When you perform a factory reset on Analog Rytm or Analog Rytm MKII, the following happens:
The remaining project slots and sound banks will not be overwritten.
If you wish to keep the active project, remember to save it to a project slot higher than 001 before you perform the factory reset. If you have saved your own sounds to soundbank A, you need to move them to a different bank if you want to keep them.
When you perform a factory reset on a Digitakt or Digitakt II, the following happens:
The remaining project slots and sound/preset banks will not be overwritten. Any samples that you have transferred to the unit or recorded directly into the unit will remain on the +Drive after a factory reset.
If you wish to keep the active project, remember to save it to a project slot higher than 001 before you perform the factory reset. If you have saved your own sounds/presets to soundbank A, you need to move them to a different bank if you want to keep them.
When you perform a factory reset on Digitone or Digitone Keys or Digitone II, the following happens:
The remaining project slots and sound banks will not be overwritten.
If you wish to keep the active project, remember to save it to a project slot higher than 001 before you perform the factory reset. If you have saved your own sounds to soundbanks A or B, you need to move them to a different bank if you want to keep them.
When you perform a factory reset on Syntakt, the following happens:
The remaining project slots and sound banks will not be overwritten.
If you wish to keep the active project, remember to save it to a project slot higher than 001 before you perform the factory reset. If you have saved your own sounds to soundbanks A through E, you need to move them to a different bank if you want to keep them.
When you perform a factory reset on Model:Cycles or Model:Samples, the following happens:
The remaining project slots and sound banks will not be overwritten.
If you wish to keep the active project, remember to save it to a project slot higher than 01 before you perform the factory reset.
Read moreYou can manually remove Overbridge device entries if they are corrupt, or cause other problems.
Press Win+R, and then write "regedit" in the box, and then press OK to open the Registry Editor.
Navigate to this key (a key is like a folder):
HKEY_LOCAL_MACHINE\SYSTEM\CurrentControlSet\Services\ELEKTRON_OVERBRIDGE_USB
Here you see subkeys that are in this format:
Parameters_1935_xxxx_yyyy
The xxxx is the product ID. See below for more information*
The yyyy is the unique ID of your particular device.
Right-click the device you want to remove and select "Delete" Do this for all subkeys related to your device
This will delete all known devices from the ControlPanel and the CoreAudio plugin.
Start a terminal session.
Unload coreaudio daemon (or else you will not be able to move the coreaudio plist files)
sudo launchctl unload /System/Library/LaunchDaemons/com.apple.audio.coreaudiod.plist
sudo killall coreaudiod
The second line is just in case the first one doesn't work.
Move / delete the plist files to another location:
mkdir ~/Desktop/PlistBackup/
sudo mv /Library/Preferences/Audio/com.apple.audio.DeviceSettings.plist ~/Desktop/PlistBackup/
sudo mv /Library/Preferences/Audio/com.apple.audio.SystemSettings.plist ~/Desktop/PlistBackup/
sudo mv ~/Library/Preferences/se.elektron.OverbridgeControlPanel.plist ~/Desktop/PlistBackup/
sudo mv ~/Library/Preferences/se.elektron.overbridge.hal.plist ~/Desktop/PlistBackup/
Restart macOS
Remove PlistBackup folder on your desktop.
Device | product ID |
---|---|
Analog Four | 0004 |
Analog Keys | 0006 |
Analog Rytm | 0008 |
Analog Heat | 000A |
Digitakt | 000C |
Analog Four MKII | 000E |
Analog Rytm MKII | 0010 |
Digitone | 0014 |
Analog Heat MKII | 0016 |
Model:Samples | 0019 |
Model:Cycles | 001B |
Digitone Keys | 001C |
In order to update your device using the method described in this article, your device needs to run at least the OS version listed below. The OS version is visible in the bottom right corner of the device screen when it is being powered on.
Device(s) | Minimum required OS version |
Analog Four and Analog Keys | 1.40 |
Analog Rytm | 1.60 |
Analog Heat | 1.20 |
Digitakt | 1.20 |
Digitone and Digitone Keys | 1.30 |
Model:Cycles and Model:Samples | 1.12 |
If the device is running an older version than the one listed below, you need to update your device using sysex transfer. Refer to the following article for information on how to update using sysex transfer. Once your device is running at least the OS version listed above, you can use the method described in this article for future OS updates.
Connect your device to one of the USB ports of your computer and start Elektron Transfer, make sure the unit is selected as the MIDI in and MIDI out ports, and then click the Connect button.
Unzip the archive and drag and drop the .syx file containing the OS update onto the big area with the text "Drop files here".
When you drop the OS file, it will automatically be transferred to the device.
When OS has been transferred, Elektron Transfer will let you know that you need to press the YES button on your device to perfrom the upgrade. Press the YES button and follow the instructions on the device screen. DO NOT TURN THE DEVICE OFF UNTIL THE UPGRADE IS COMPLETED.
If you have problems getting your Elektron device connected to Overbridge Engine, there are several ways to solve this depending on what kind of connection problem you have.
Your Elektron device is not visible/not detected in the Overbridge Engine application.
Download and install the latest version of Overbridge and device OS. For more information, please see this article about how to install Overbridge.
Set your Elektron device to Overbridge mode. For more information, please see the User Manual for your Elektron device.
Make sure the USB cable is connected correctly.
If you are using a Mac, please read this article before continuing any further troubleshooting.
Overbridge uses local ports to communicate between different applications within the Overbridge suite, and between Overbridge and the computer. But other applications installed on your system may already use the same ports that Overbridge needs for communication. For Overbridge to work, you must close the other applications that use these ports.
Port 46000 needs to be free for Overbridge Engine to be able to communicate with your computer. Also, each Elektron device that you use in Overbridge must be able to use port 460n0, 460n1, and 460n2, where n is the device that you have added.
Example:
If you have two Elektron devices connected, you need to make sure that the following ports are free:
46000 (for Overbridge Engine - Computer communication)
46010, 46011, 46012 (for Elektron device 1 - Overbridge Engine communication)
46020, 46021, 46022 (for Elektron device 2 - Overbridge Engine communication)
Please see this article for information about how to find what ports are in use by the computer's processes and applications, and how to free them up.
Your Elektron device is shown as “Measuring” or “Fault” in Overbridge Engine when you try to connect them to Overbridge and it never gets out of this state.
Make sure you update to the latest OS for your Elektron device. Available for download here.
Configure the devices’ audio channels to send to and from the device in the Overbridge Control Panel. (Only applicable for Analog Rytm MK I, Analog Four MK I, Analog Heat MK I, and Analog Keys.)
Another cause of this problem might be because of USB2/USB3 and chipset issues. Please see this article concerning USB2/USB3 and chipset issues and how to solve them.
Here you can find detailed specifications of the power supplies (PSU’s) for the different Elektron devices.
Current Elektron power supply: PSU-4b. These devices were originally shipped with PSU-4 and still work with PSU-4. The PSU-4b power supply includes adapters for the following regions: North America, Continental Europe, the United Kingdom, Brazil, Japan, Korea, Australia, and China. The PSU-4b power supply handles voltages of 100-240 VAC, 50/60Hz.
The power supply you want to use must meet the following specifications:
Voltage: 5 VDC
Minimum Current Rating: 1.2 A
Barrel Connector Size: 3.5 mm outer diameter, 1.35 mm inner diameter
Polarity: Positive center
Current Elektron power supply: PSU-3c. These devices were originally shipped with PSU-3, PSU-3b, or PSU-3c. All these devices work with PSU-3 and PSU-3b (With the exception of Analog Drive which doesn’t work with PSU-3). The PSU-3c power supply handles voltages of 100-240 VAC, 50/60Hz.
The power supply you want to use must meet the following specifications:
Voltage: 12 VDC
Minimum Current Rating: 2 A
Barrel Connector Size: 5.5 mm outer diameter, 2.5 mm inner diameter
Polarity: Positive center
Current Elektron power supply: PSU-2b. These devices were originally shipped with PSU-2. The PSU-2b power supply handles voltages of 100-240 VAC, 50/60Hz.
The power supply you want to use must meet the following specifications:
Voltage: 6 VDC
Minimum Current Rating: 3 A
Barrel Connector Size: 5.5 mm outer diameter, 2.5 mm inner diameter, 6 mm length
Polarity: Positive center
Original (and now obsolete) Elektron power supply: PSU-1 (two versions depending on voltage standard)
Please note that the power supply output must be AC!
The power supply you want to use must meet the following specifications:
Voltage: 6 VAC, 50/60Hz
Minimum Current Rating: 2.5 A
Barrel Connector Size: 5.5 mm outer diameter, 2.5 mm inner diameter, 6 mm length
The power supply you use must meet the following specifications:
Voltage: 6 VDC
Minimum Current Rating: 400 mA
Barrel Connector Size: 5.5 mm outer diameter, 2.1 mm inner diameter
Polarity: Positive center
In most cases, you don't need to use a power supply together with the Overhub. However, if you want to use it together with a non-self powered device (for example, an external hard drive), you must connect a power supply to the Overhub.
Please note that the Overhub is not shipped with a power supply.
The power supply you use must meet the following specifications:
Voltage: 5 V DC
Minimum Current: 4 A (3 A on earlier devices.) This number is written on the Overhub itself so you can see there which version you have.)
Barrel Connector Size: 3.5 mm outer diameter, 1.35 mm inner diameter, 6 mm length
Polarity: Positive center
If you are experiencing problems with your Elektron device, there are several different things you should do before you contact Elektron support. There are a couple of ways to self diagnose your device. Please use this guide to determine whether the problem is hardware related or in the software/firmware.
A. Basic troubleshooting
To make sure that the issue isn’t software related, and/or caused by external interference (such as incoming MIDI data causing MIDI feedback), please do the following, and then check if the problem is still there after each step of it is solved:
Install the latest OS for your Elektron device. Available for download here.
Unplug all MIDI cables and the USB cable from the device.
Perform a factory reset. Read more about factory reset here.
Create a new project.
B. TEST mode (not available on Model:Samples, Model:Cycles, and Analog Drive)
In TEST mode, you can perform a variety of tasks to determine the health status of your device. If you have any trouble with your device and suspect it may be due to a hardware problem, perform this self-test.
Hold down the [FUNC] button on ([ACTIVE]/[ON] for Analog Heat) your device while powering it up to enter the STARTUP menu.
In the STARTUP menu, press the appropriate button to enter the TEST mode.
WARNING: For testing purposes on some Elektron devices, a short, loud beep is heard through all outputs of the unit when you enter the TEST mode. If you encounter any errors here, it might be a sign that there is a problem with the device.
In this mode, it is also possible to check the buttons and encoders/potentiometers functionality. Depending on which device you are using, most buttons either light up a led-light and the display shows which button is pressed, or turn the display on/off. This method is an excellent way to confirm if a button is broken or not. If the device doesn’t register a button press, then it’s likely that the button needs to be replaced. (MASTER VOLUME does not give any indication on the screen when it is turned). Various sequencer button combinations change the color on the button mechanisms on the devices where this is available.
If the information above did not solve the problems, please proceed to this article.
Read moreThe information in this section is valid for Elektron devices and the connectors they use.
All Elektron devices use standard 1/4" jacks for all audio input and output. Most synths, guitars, and other electronic instruments use these types of connectors, hence the cables sometimes being referred to as “Instrument Cables”. The connectors are generally referred to as plugs (male) and jacks (female). They are also fairly common in pro audio equipment and professional headphones as well. However, there are two different types of 1/4" connectors Elektron devices use, depending on the jack and device.
TS/TRS Connectors
“TS” and “TRS” refers to the contact layout of the connectors. These terms do not define any other specifications for the cable or audio signal such as impedance or channel count. The letters “T”, “R”, and “S” stand for the following:
T: Tip
R: Ring
S: Sleeve
TS (Tip-Sleeve)
When it comes to audio in Elektron Devices, TS is used for:
Unbalanced Mono Audio
TRS (Tip-Ring-Sleeve)
When it comes to audio in Elektron Devices, TRS is used for:
Balanced Mono Audio
Unbalanced Stereo or Split Signal Audio
Unbalanced/Balanced Audio
An unbalanced audio connection uses a single signal on the Tip of the connector (TS connector). A balanced audio connection uses two signals on Tip and Ring (TRS connectors) in opposite polarity. A balanced connection can, in some circumstances, help to mitigate some of the signal disturbances that may occur.
There is no physical size difference between the 1/4" balanced and unbalanced connectors so it is possible to for example to plug a TRS plug into a TS jack. However, this may alter the characteristics of the signal connection in different ways:
Jack | Plug | Source signal | Result |
---|---|---|---|
TRS balanced output | TRS | Balanced | Signal connection is unchanged (balanced). |
TRS balanced output | TS | Balanced | Signal connection is now unbalanced. |
TS unbalanced output | TRS | Unbalanced | Signal connection is unchanged (unbalanced). |
TS unbalanced output | TS | Unbalanced | Signal connection is unchanged (unbalanced). |
TRS balanced input | TRS | Balanced | Signal connection is unchanged (balanced). |
TRS balanced input | TRS | Unbalanced | Signal connection is unchanged (unbalanced). |
TRS balanced input | TS | Unbalanced | Signal connection is unchanged (unbalanced). |
TRS balanced input | TRS | Stereo | Does not work. Results in left minus right signal (almost no sound in mono) and only work if audio is hard-panned left. |
TRS balanced input | TRS | Split | Does not work. Results in Tip signal minus Ring signal. |
TS unbalanced input | TRS | Balanced | Signal connection is now unbalanced. |
TS unbalanced input | TRS | Unbalanced | Signal connection is unchanged (unbalanced). |
TS unbalanced input | TS | Unbalanced | Signal connection is unchanged (unbalanced). |
TS unbalanced input | TRS | Split | Only the signal on the Tip is transferred. |
TO SUMMARIZE For a balanced signal to remain balanced, all connectors used must be TRS. A balanced signal that passes through a TS connector will be unbalanced. An unbalanced signal always remains unbalanced no matter what type of connector (TS or TRS) is used.
QUICK TIP Using a cable with a TS plug in a balanced TRS jack output is perfectly safe. It simply results in that the signal connection will be unbalanced instead.
WARNING Double ring, TRRS connectors in the 3.5 mm format have become common for mobile device headphones with an attached microphone. Many standard 3.5 mm headphone adapters are not designed for these connectors. The result of this is the apparent lack of sound from the device. Therefore, the use of headphones with TRRS connectors is not recommended.
Audio cable connector and signal cheatsheet for Elektron devices
For Elektron devices, all physical Inputs and Outputs are Line Level. The following tables list the signal uses for the IO of all devices. More in-depth information can be found in the device User Manuals under Technical Information.
Model:Cycles and Model Samples
I/O | Balance | Signal | TRS/TS |
---|---|---|---|
Headphones | Unbalanced | Stereo | TRS |
Main Out L/Main Out R | Balanced | Mono | TRS |
Digitone and Digitakt
I/O | Balance | Signal | TRS/TS |
---|---|---|---|
Headphones | Unbalanced | Stereo | TRS |
Main Out L/Main Out R | Balanced | Mono | TRS |
Input L/Input R | Unbalanced | Mono | TS |
Digitone Keys
I/O | Balance | Signal | TRS/TS |
---|---|---|---|
Headphones | Unbalanced | Stereo | TRS |
Main Out L/Main Out R | Balanced | Mono | TRS |
Track Outs Left/Mono 1-4 | Balanced | Mono | TRS |
Track Out Right 1-4 | Balanced | Mono | TRS |
Input L/Input R | Unbalanced | Mono | TS |
Octatrack MKII
I/O | Balance | Signal | TRS/TS |
---|---|---|---|
Headphones | Unbalanced | Stereo | TRS |
Main Out L/Main Out R | Balanced | Mono | TRS |
Cue Out L/Cue Out R | Balanced | Mono | TRS |
Input A-D | Balanced | Mono | TRS |
Octatrack MKI
I/O | Balance | Signal | TRS/TS |
---|---|---|---|
Headphones | Unbalanced | Stereo | TRS |
Main Out L/Main Out R | Balanced | Mono | TRS |
Cue Out L/Cue Out R | Balanced | Mono | TRS |
Input A-D | Unbalanced | Mono | TS |
Analog Four MKII/ Analog Keys
I/O | Balance | Signal | TRS/TS |
---|---|---|---|
Headphones | Unbalanced | Stereo | TRS |
Main Out L/Main Out R | Balanced | Mono | TRS |
Track Out 1-4 | Unbalanced | Stereo | TRS |
Input L/Input R | Unbalanced | Mono | TS |
Analog Four MKI
I/O | Balance | Signal | TRS/TS |
---|---|---|---|
Headphones | Unbalanced | Stereo | TRS |
Main Out L/Main Out R | Balanced | Mono | TRS |
Input L/Input R | Unbalanced | Stereo | TS |
Analog Rytm MKII
I/O | Balance | Signal | TRS/TS |
---|---|---|---|
Headphones | Unbalanced | Stereo | TRS |
Main Out L/Main Out R | Balanced | Mono | TRS |
External In L/External In R | Unbalanced | Mono | TS |
Track Outs | Unbalanced | Stereo | TRS |
Audio In L/Audio In R | Balanced | Mono | TRS |
Analog Rytm MKI
I/O | Balance | Signal | TRS/TS |
---|---|---|---|
Headphones | Unbalanced | Stereo | TRS |
Main Out L/Main Out R | Balanced | Mono | TRS |
Input L/Input R | Unbalanced | Mono | TS |
Track Out BD-BT | Unbalanced | Split (Tip: BD, Ring: BT) | TRS |
Track Out SD-LT | Unbalanced | Split (Tip: SD, Ring: LT) | TRS |
Track Out CH/OH-MT/HT | Unbalanced | Split (Tip:CH/OH, Ring:MT/HT) | TRS |
Track Out CY/CB - RS/CP | Unbalanced | Split (Tip:CY/CB, Ring:RS/CP) | TRS |
Analog Drive
I/O | Balance | Signal | TRS/TS |
---|---|---|---|
In | Unbalanced | Mono | TS |
Out | Unbalanced | Mono | TS |
Analog Heat
I/O | Balance | Signal | TRS/TS |
---|---|---|---|
Headphones | Unbalanced | Stereo | TRS |
Out L/Out R | Balanced | Mono | TRS |
In L/In R | Balanced | Mono | TRS |
Monomachine/Machinedrum
I/O | Balance | Signal | TRS/TS |
---|---|---|---|
Headphones | Unbalanced | Stereo | TRS |
Main Out A/Left | Balanced | Mono | TRS |
Main Out B/Right | Balanced | Mono | TRS |
Output C-F | Unbalanced | Mono | TS |
Input A/Input B | Unbalanced | Mono | TS |
Sidstation
I/O | Balance | Signal | TRS/TS |
---|---|---|---|
Out | Unbalanced | Mono | TS |
External In | Unbalanced | Mono | TS |
CV/EXPRESSION CONTROL - QUARTER INCH CONNECTORS
Some Elektron devices can send or receive analog signals to control various parameters and functionalities. These signals are sent and received through connectors using either TS or TRS 1/4" jacks on the Elektron devices. The different types of signals are:
Control Voltages
Expression Pedals
Footswitches
CV Output
Analog Four MKI/MKII and Analog Keys have dedicated Controlled Voltage outputs. The Analog Four MKII has individual 1/4" TS jacks for each CV output. However, the Analog Four MKI and Analog Keys have 1/4" TRS jacks that can output two different CV signals. The configuration of these are:
Analog Four MKI/Analog Keys CV Outputs
Jack | Tip | Ring |
---|---|---|
CV Out AB | CV Out A | CV Out B |
CV Out CD | CV Out C | CV Out D |
CV Input, Expression pedals, and Footswitches
Any Elektron device with inputs labeled “Control In” can be configured to receive and use CV, Expression Pedals, or Footswitches. CV and Footswitches (including Sustain Pedals) use cables with 1/4" TS plugs, while Expression Pedals uses cables with TRS plugs.
The way footswitches and expression pedals work electrically can differ from brand to brand. Elektron devices can be configured to support most footswitches or expression pedals.
On some Elektron devices, like the Digitone Keys, footswitches can be used for Sustain or Sostenuto and are labeled as such in the configuration menu.
The Analog Drive supports direct expression pedal input for Gain and Mid EQ parameters.
5-pin DIN connectors - Most Devices
With the exception of the Model series devices, all Elektron devices have full-size MIDI IN, MIDI OUT, and MIDI THRU ports. (Analog Drive only has MIDI IN and MIDI OUT). All these devices use standard MIDI Cables with 5-pin DIN connectors.
3.5 mm TRS MIDI (Type A and B) connectors - Model:Samples and Model:Cycles
The Model series uses 3.5 mm TRS “Mini” MIDI connectors for their MIDI IN and MIDI OUT/THRU ports. There are two configurations for these connectors, used by different brands, know as Type A and Type B.
MIDI 5-Pin DIN (Male)
MIDI TRS Type A
MIDI TRS Type B
All Model series devices accept both Type A and Type B configurations. The MIDI IN port accepts any configuration. The MIDI OUT/THRU ports must be set manually to use either a Type A or a Type B configuration. This is done by adjusting the OUT POL parameter (CONFIG MENU > MIDI > PORTS). The available settings are:
STD (for Type A)
INV (for Type B)
QUICK TIP If there seems to be trouble connecting to another MIDI device from a Model series device, try changing the MIDI Output Polarity. All Models series devices come with the CA-3 MIDI Adapter kit, which contains two TRS Type A to 5-pin DIN MIDI Adapters.
This article explains some of the reasons for crackles, dropouts (gaps in playback) or glitches during playback. Hereafter these will be referred to as simply ‘dropouts’. It also tries to explain why a modern computer can have performance problems although it is powerful enough for the task. It explains the problem domain and tries to give some tips on how you can solve the problems.
In some cases, your USB bandwidth might be limited, and this could introduce various problems. There are a couple of reasons why those problems may arise.
Overbridge for Analog Four MKI, Analog Keys, and Analog Rytm MKI uses USB 2.0 Full Speed. This USB specification limits the data transfer rate to max 12 Mbps. Later Elektron products use USB 2.0 High Speed and have a max rate of 480 Mbps. Many laptops use a single USB host controller that controls all ports. It means that if you have multiple devices connected that run with USB 2.0 Full Speed they might be sharing the 12 Mbps maximum bandwidth. It is, however, possible that your computer has multiple USB host controllers. You can try to connect a device to a different port that might also use a different host controller internally. This might increase the possible bandwidth for each device.
USB 2.0 Full Speed also limits the number of audio channels that can stream simultaneously. If you open the Overbridge Control Panel and configure your USB Full Speed device to use fewer channels and/or a lower bit depth, this might improve the Overbridge performance on your system.
When connecting a USB 2.0 Full Speed device (12 Mbps) to an STT hub (typical for an internal laptop hub), all devices on that hub are limited by 12 Mbps, even devices that are otherwise High Speed or Super Speed. We recommend that you use an MTT hub (such as the Elektron Overhub) whenever you connect a Full Speed device to your system so as not to constraint your other USB devices.
It is especially important to use an MTT hub if you want to use more than one Full Speed device at the time. Connecting two Analog Four MK1 to an STT hub, for example, causes them both to share only 12 Mbps bandwidth. If they instead connect via an MTT hub, they get 12 Mbps each.
The audible latency in your DAW can be described as the delay time from when the source of an audio stream is played until you hear it. The sample buffer size is the number of audio samples that are processed in each audio packet. A larger buffer size introduces a higher audible latency but might solve problems related to real-time performance as the computer gets a longer time slot to process data. A system with less processing power or more other software/hardware needs a larger buffer size. If you experience dropouts you might have to adjust this to your needs.
Make sure your DAW is configured with an appropriate sample buffer size for your hardware.
Please also make sure that Overbridge is configured with an appropriate Plugin Buffer Size in the Overbridge Control Panel.
If you are on a Mac, adjusting the Buffer Safety Margin in the Overbridge Control Panel can also improve the performance of streaming audio.
If you are using Windows, adjust the performance mode in the Control Panel to match your hardware.
Do not run other CPU intensive applications at the same time as Overbridge. These might put a high strain on your computer and limit its real-time capabilities.
Examples of these kinds of applications are:
Web browsers with multiple open tabs.
Image or video/3D editor programs.
Games
Real-time applications, such as a DAW, have very different requirements than other software on your computer. The big difference between a DAW and for example, a video editing program is that in a video editing program the editing is mainly done while the video isn’t playing. After the editing is done the result is played. The processing is allowed to take some time and can be interrupted without you knowing that it was. This is not a real-time process.
Another example is a web browser that is allowed to have a response time from click to result of a few hundred or even thousands of milliseconds before it is deemed unusable. The typical case in a DAW, however, is to run a set of plugins and/or recording sessions while also listening to the output of these. The processing of these sources is always time-limited because if something takes a too long time, it is audible, and the harmonic content becomes distorted and unacceptable. This is a real-time process.
The sound card converts digital samples to analog from the sample buffer at a fixed frequency, decided by the sample rate in your DAW. It always expects there to be a sample in the buffer to convert. If there is no sample available, it tries to convert empty data, resulting in a dropout.
It is the CPU of your computer that carries out the actual audio sample processing. The CPU is, at the same time, constantly interrupted by other processes or devices in your system. Therefore, it can’t guarantee to deliver at a specific frequency but is instead given a time slot to deliver. This time is decided by the buffer size and sample rate in your DAW. Audio latency is when the CPU fails to deliver a sample to the buffer in time before the sound card needs to read it.
The CPU itself is capable of delivering in time on all modern high performing computers. However, as mentioned before, the CPU is always interrupted by other processes or devices on the system. This is not a problem per se, but some devices are more prone to lock up the CPU and not giving it enough time to perform the real-time task of audio processing. Other performance heavy software might also cause the same problem. Therefore, make sure you are not running any heavy processing outside of your DAW.
Listed below are some devices that can easily lock up the CPU.
High probability of lock-up
Video Cards
Audio Interfaces
Medium probability of lock-up
Network Interfaces
USB Controllers
Disk Controllers
Before troubleshooting the devices, make sure you have all of these devices’ latest drivers.
On a Windows PC you can debug your system by disabling devices in the device manager to figure out which device is causing the CPU to lock up. You can use tools such as DPC Latency Checker or LatencyMon to measure the devices’ latency independently from your DAW setup. If you do find problems when you run these tools, we recommend replacing the device or devices that are causing the problems. If you find no problems with either of these tools, there is a possibility that the problem is with your DAW or a plugin used in your project.
There are som known incompatibility problems with certain hardware:
Intel Core2Duo processors, or Xeon CPUs from that same generation, are not supported.
There could be USB 2.0/3.0 compatibility issues. For more information, please see this article.
Some USB host controller chipsets have worse performance than others. If you use a USB hub, it adds another chipset in the signal chain and could potentially worsen the performance.
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